Piero Dorazio Italian, 1927-2005


"I would like not to reproduce but to reinvent the structure of light in a way pertinent to painting rather than to optics."

- Piero Dorazio


Piero Dorazio was born in Rome on June 29, 1927.


He studied at the Liceo Classico high school. In 1942–43, through his schoolmate Angiolo Bandinelli, he began attending the studio of his father, the painter Aldo Bandinelli, and painting still lifes and landscapes while studying art history. After the end of World War II, he continued his studies at the School of Architecture, the University of Rome “La Sapienza,” which he would ultimately abandon.


In 1945—together with Achille Perilli, Mino Guerrini, Lucio Manisco, Carlo Aymonino, Carlo Busiri Vici, Alfio Barbagallo, and Renzo Vespignani—he founded the Gruppo Ariete and later the Gruppo Arte Sociale.

In 1947, with Giulio Turcato, Concetto Maugeri, Antonio Sanfilippo, and Carla Accardi, he founded the Forma 1 group, publishing the collective’s manifesto in the eponymous magazine. That same year he traveled to Paris for the first time where he met, thanks to Gino Severini, key international artists including Georges Braque, Fernand Léger, Hans Arp, and Alberto Magnelli.

In 1948, he exhibited at the Quadriennale of Rome and at the Salon des réalités nouvelles in Paris. In Rome, together with Atanasio Soldati and Ettore Sottsass, he organized the exhibition Arte astratta in Italia.

In 1950, Dorazio, Perilli, and Guerrini opened the “L’Age d’Or,” a library-gallery on Via del Babuino in Rome, specializing in the distribution of avant-garde books and magazines and abstract art exhibitions, which immediately became a point of reference for Roman and international culture.


In 1951, with Ettore Colla and Alberto Burri, he founded the Fondazione Origine which he later left in 1954.

In 1953, he was invited to Harvard University to participate in an international seminar on humanism and the arts. He then moved to New York where he befriended several American artists. He presented his first exhibition in New York at George Wittenborn’s One-wall Gallery, and later, in April 1954, at Rose Fried Gallery.

In 1957, he presented his first solo exhibition in Rome at the La Tartaruga Gallery. In 1956 and 1958, he participated in the Venice Biennale where, in 1960, he contributed with a large solo room. That same year he returned to the United States, to the University of Pennsylvania, Philadelphia, where he was hired to reorganize and direct the faculty of Fine Arts. He would teach here for the next ten years, one semester each year.

In 1959, he participated in Documenta 2 in Kassel.


During the 1960s his work was often included in major group exhibitions in Italy and internationally. In 1961, he received the Prix Kandinsky and the Paris Biennale Prize (one million francs which he refused as a sign of protest against French politics in Algeria).

In 1962, he was invited to join the Group Zero, taking part in numerous exhibitions and publications, and in 1965, he was present in the exhibition The Responsive Eye at MoMA in New York. In 1966, he held a second solo exhibition at the Venice Biennale and the following year he collaborated with Giuseppe Ungaretti on the book "La Luce" (a collection of 20 poems with 14 large lithographs) for Im Erker Gallery in St. Gallen, Switzerland.

In 1977, the publisher Alfieri issued a monograph with a contribution to his catalog raisonné, and in 1979, his first retrospective took place in France at the Musée d’Art Moderne de la Ville de Paris. The exhibition was then presented at the Albright-Knox Art Gallery in Buffalo and at numerous other museums in the United States.



In 1983, he held a retrospective of his work at the Galleria Nazionale d’Arte Moderna in Rome and participated, with a selection of works, in the exhibition Italian Art 1960–1980 at the Hayward Gallery in London. In 1986, he received the Accademia di San Luca Prize and in 1988, he had a solo room at the Venice Biennale.


Between 1994 and 1996 he supervised the creation of artist mosaics in Rome’s metro stations, executing one for the Colosseo station.


In 2000, the Achim Moeller Gallery in New York presented an exhibition of his works from the 1950s and he received the Scipione Prize from the Carima Foundation in Macerata.

In 2001, the exhibition Dorazio Jazz was inaugurated at Museion in Bolzano and in 2003, a retrospective exhibition was held at the IVAM – Institut Valencia D’Art Modern in Valencia.


Piero Dorazio died in Perugia on May 17, 2005.

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